Generic abstraction in design creativity: the case of Staatsgalerie by James Stirling

dc.contributor.authorDogan,Fehmi
dc.contributor.authorNersessian,Nancy J
dc.date.accessioned2024-10-30T13:10:56Z
dc.date.available2024-10-30T13:10:56Z
dc.date.issued2010-05-01
dc.description.abstractThis study examines the role of generic abstraction in architectural design, specifically how it facilitates exploration through formulation of a family of design schemes. We maintain that exploration in design, as it is in scientific discovery, is not solely based on serendipity, but that designers often strategically structure their explorations. We single out three instances of structuring through ‘generic abstraction’ in the case study of Staatsgalerie by Stirling. We hypothesize that generic abstractions help designers to mentally simulate different spatial components which lead to the generation of a novel design conceptualization. In the case at hand, the abstraction processes were sustained within a distributed cognitive system that consisted of one senior and two junior designers together with external representations in the form of sketches and diagrams. Keywords: Creativity, Diagrammatic Reasoning, Design Cognition, Distributed Design, Case Study
dc.identifier.citationDogan, F., & Nersessian, N. J. (2010). Generic abstraction in design creativity: the case of Staatsgalerie by James Stirling. Design Studies, 31(3), 207-236.
dc.identifier.doihttps://doi.org/10.1016/j.destud.2009.12.004
dc.identifier.urihttps://repository.adu.ac.ae/handle/1/6899
dc.language.isoen
dc.publisherElsevier
dc.titleGeneric abstraction in design creativity: the case of Staatsgalerie by James Stirling
dc.typeArticle

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